

“74 Is the New 24” is the unholy marriage of a Viagra ad crossed with a trance anthem, and “Don’t Let Go,” featuring Mikky Ekko, is warmed-over David Guetta. “Diamonds,” his collaboration with Charli XCX, is cloying and overclocked, trading out deliquescent grooves for antiseptic laptop beats. Whereas Daft Punk is able to walk the paper-thin line between modern-day EDM bombast and throwback pop songcraft, Moroder occasionally trips over it. In addition to its billboard inventory, Lamar has a variety of airport advertising displays in McCarran International Airport. When he strays from that zone, however, Deja-Vu sputters. Lamar Advertising of Las Vegas offers advertisers both traditional and digital billboards to offer continuous exposure to tourists and locals in Las Vegas. When Moroder’s in his comfort zone, strutting his stuff in the land of lava lamps and wood paneling, and evoking the indulgences of a bygone era, he reminds us why he’s one of dance music’s foremost innovators. In the same vein, “Right Here Right Now” finds Kylie Minogue cooing over a funky thump evocative of roller rinks and extra-wide lapels. Every song on this album should sound like the title track, an updated disco rave-up featuring a chipper string section and Sia filling in ably for the late, great Ms. And when that’s what Deja-Vu tees up, it offers a familiar, kinetic thrill. Thanks to Daft Punk and its acolytes, warm, sensual house music alive with burbling basslines, swinging drums and analog synth grooves is as popular as ever. Olivia Rodrigo performs fan favorite Deja Vu at the Billboard Women In Music Awards billboard oliviarodrigo bbwomeninmusic dejavu live.
#Billboard sign next to deja vu las vegas update#
Giorgio Moroder & Kylie Minogue Drop Single ‘Right Here, Right Now’įew septuagenarians could produce a dance album that manages to sound current four decades after their prime, but Moroder is fortunate: He doesn’t have to update his aesthetic to keep up with current trends - because those trends have come to him.
